I wonder if this arrangement is in itself a comment on international VS australian plays – do shorter runs assume that more people will be active in seeing new international work (and there for it doesn’t need to build up word of mouth?) and that the new OZ works will need a longer run to build up word of mouth because it is a harder marketing battle?
Or perhaps its a condition of the NSW funding this program has received?
What I am curious to see is how the usual New theatre shows are received with this program scattered throughout – curatorially – with audiences be able to make a distinction between the main season and the independent season?
]]>