Archive for August, 2014

Tartuffe | Bell Shakespeare


Every now and again there is a production which stumbles into the light, into the expectant eyes, minds, hearts of an audience and explodes with such intelligence, rigor and joy that it is irrepressible. The audience squeals and hums with delight, the box office is exhausted and the artists have that warm, nourished glow of knowing that the work will sit as an ultimate touchstone of true delights in their wide reaching careers.

Peter Evans’ production of Justin Fleming’s re-penning of Tartuffe is one such production. Read more

“Hey. We’ve gotta talk about this” | Issues in/with new writing


“Write what you know.”

The first rule of thumb for anyone interested in writing anything. This applies to birthday cards right through to grand epic fictions or a boutique thesis on an obscure historical peccadillo.

It is rapidly followed by the next question:
“What do you know?”

And then swiftly after that,
“How do you know that?”

And then:
“Who are you to write that anyway?” Read more

The Composer Is Dead | Sydney Opera House


Children’s content is possibly the most important content in the world – films, music, theatre can create a moral, personal, ethical compass for a child beyond their familial and educational realm. The experience can set up a child for life – or cure it of ever wanting to spend time in or near a theatre. It is particularly difficult as society emerges with children and babies being more photographed and publicly “shared” via facebook and other mediums – than ever before in history. Read more

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Augusta Supple

Sydney-based theatre director, producer and writer. This site is about my long, deep, bright-eyed, ever-hopeful, sometimes difficult, always invigorating, rambunctious, rebellious, dynamic and very personal relationship with Australian Arts and Culture... I reflect on shows, talks, essays, writing, artists that inspire me to say something, and you'll find out what I'm working on, who I'm working with and what inspires me.