In the dizzying haze of Stories from the 428- I didn’t get out much to other theatres- I spent alot of my time with a laptop on my lap top or gesticultating wildly at actors (and occasionally chasing them around rehearsal rooms)… and so was mildly shut off from my regular review circuit. During that time, however, one play was mentioned to me in passing by people who had access to “the outside world” as I remembered it- and that play was none other than Tom Holloway’s Love Me Tender. Read more

Blood Wedding by Lorca is one of the classics- written during the Spanish Civil War- inspired by a newspaper article written about a bride who ran off with her former lover on the night of her wedding- explores the perils of repressed passion. It is a steamy, sexy and violent play which exposes the dark undercurrent of desire in the face of duty/obligation. Read more

My posts have been infrequent since February began- mainly because I have been busy with all things around my current production- Stories from the 428- and barely have I had time for seeing shows- let alone reflecting on line about them. In my busy schedule, which often involves seeing up to 5 theatre productions a week- and when in production as I am right now- I spend days on end computer in lap, coffee in hand, managing spreadsheets, budgets, creative imput, publicity, dramaturgy, casting the shows I am directing, reading scripts and all things related to the creation of a brand new show (or in this case a collection of shows)… rarely do I give myself permission to stop. To rest. To be filled up and nourished. And that is why, in truth, I have a Sydney Symphony subscription. This subscription is vital in my mental, spiritual growth, my understanding of the arts, my development as an artist- but above all else permission to turn off my phone, get away from my computer and surrender to the perfection of someone else’s craft- music.Tonight’s welcome surrender came in the guise of the masculine swaggering, sutlry voiced Nigel Kennedy with his virtuousic talent as the worlds most loved and respected violinist. Read more

Organised by YAK events (a collective of emerging artists based at Shopfron Contemporary arts Centre), the Yak Summer Residency is a new two week intensive residency based at Shopfront Contemporary Arts Centre for Under 25’s in which time and space equal freedom. Freedom to explore and uncover and investigate any idea or concept and which resulted in a showcase of some of the findings. I am a little late reporting on this as my own project is gearing up and I have had to prioritize my writing for the Sydney Festival shows I have seen.I know … excuses… excuses… Read more

A notoriously difficult time of year, January is a tricky time for independent theatre in Sydney- the post glow of Christmas gluttony has left everyone feeling a little less generous with their money- the razzle dazzle of the Sydney Festival’s international acts descend upon the city with a budget quadruple (at least) than most independent theatre’s see in a year- and then there is the hydra-headed short play festival which gulps up time and talent feeding itself on guilt and competition- and then the rival of all theatre: wonderful weather with it’s cricket season and beckoning beach adventures… so its a tough time to be on… Read more

After a hugely hot day, supposedly the hottest day in Sydney in four years, it was a welcome relief to walk through the streets of Parramatta as a fine mist of rain started to fall. James Waites and I had caught a train after a brief sprint (I was later than anticipated due to unanticipated trackwork)- and within half an hour had found ourself in “The geographical centre of Sydney.” Shaun Parker’s latest creation started its Sydney Festival leg of a wider tour at 2.30pm, 23rd Jan at Parramatta Riverside Theatre- we caught the later session and it was really fascinating. Read more

A very brief note about my experience of Six Characters in Search of An Author which has been programmed as a part of The 2010 Sydney Festival. Luigi Pirandello’s play written in 1921- arguably one of the great classic texts in the Western Canon- is a self-reflexive examination on the creation of theatre, character and life and a comment on the shifting sands of reality. In this version, by Rupert Goold and Ben Power- the framing of the production has shifted to that of a TV station which produces documentaries- and is under deadline to find an ending to a documentary on a child who is about to euthenased. It has been delivered to us with a string of raving snippets from UK reviews- in one of the trickiest of venues- The York Theatre at The Seymour Centre. Read more

The 2010 Sydney Festival has afforded me many first experiences- and The Arrival is another- my first experience of New Zealand theatre AND the first theatre production I have seen at Carriageworks. In the past three weeks I have been experiencing a range of Children’s theatre- ranging from local Australian adaptations to large scale adaptations of foreign stories- now an adaptation of a graphic novel by Shaun Tan – “The Arrival”. Read more

Last Thursday night was my first adventure into the world of Urban Theatre Projects, a company I had long heard about but never experienced their work… why? Perhaps I was frightened off site-specific work during my performance studies degree… perhaps because I am a die-hard L-plater/public transport advocate who feared the late train ride and obscure locations in the Western suburbs of Sydney? I don’t know. Read more

It has been one of the most talked about festival shows- this is very much a show for anyone who has ever wanted to run away and join the circus. If you have tickets- good on you- these and hens teeth etc etc… for those who are wondering about tix for next to nix- yep its worth it if you can have a nap in the middle of the day- coz its a late night you don’t want to be drowsy for! Read more