I’ve heard it said that in deep space, no one can hear you scream.

In cyberspace everyone can hear you scream… but do they care? Read more

In 2010, Post (Zoe Coombs Marr, Mish Grigor and Natalie Rose) “embarked on a journey to find out which one of us is the best. We devised a system, defined our criteria and started tallying our scores.” Read more

The cavenous black space of the Carriageworks is illuminated with shards of light that slice through the space illuminating scattered places- a ramp, a patch of grass, a staircase, a kitchen, a bar. Music plays, a whimsical riff leaning towards jazz – melodic and gentle. Read more

I’m going to come out in the open and admit something. I love doing my tax. Read more

So… you want to do something in The Rocks that doesn’t involve putting up with come-ons rude tourists…

…That isn’t set in a beer soaked pub which boasts it’s major draw card as overpriced schnitzel?

Perhaps you want to do something after work on Friday that makes you laugh?

Or perhaps you want to impress your new love-interest with your “in-the-loop” cultural discernment?

I thoroughly endorse the work of Tim Andrew – I believe one of the great minds of my generation.

And I have a painting in my lounge room to prove it.

I’ll be there on Friday night for the opening (before scuttling off to a show) –

I invite you to come hang out… 6.30pm… I’ll even introduce you to him… He’s a really nice chap…

You’ll like him.

Read more

It has been an amazing week at Griffin Theatre with the Festival of New writing – the Playwright’s muster, The Griffin Award announcement, even a series of 24 hour play generators – but the event I was most keen to see was on Wednesday night. Whilst my usual reviewing colleagues set out for the opening of the star-studded Seagull, I pulled on my gloves, wrapped myself in scarf and coat and ventured to Heartbreak Hotel – dateless and desperate for a good time. Read more

The 2011 Griffin Award is definitely, for me, the must-see, must-attend playwright’s event. Read more

It’s time to tell me what you want…what you really, really want. Read more

Since the dissolving of Belvoir’s B-Sharp Season, there has been a flurry of activity in Independent venues in Sydney as theatre’s try to catch quality artists before they disappear. Read more

In the post-traumatic haze of Trapture – an hour or so later – I ventured into the land of new works in development at the Old Fitz. I am without a program – I don’t know how I missed out but I did – and so this is not really a review or a response more of an FYI for the new work hunters who couldn’t make it along… Read more