Backing Brilliance – Facebook and the art of promoting Theatre
- July 9th, 2011
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I’ve heard it said that in deep space, no one can hear you scream.
In cyberspace everyone can hear you scream… but do they care? Read more
I’ve heard it said that in deep space, no one can hear you scream.
In cyberspace everyone can hear you scream… but do they care? Read more
In December last year, I had the privilege and delight of hearing form some young artists applying for an Artslab residency, their dreams and visions of their art. Read more
In 2010, Post (Zoe Coombs Marr, Mish Grigor and Natalie Rose) “embarked on a journey to find out which one of us is the best. We devised a system, defined our criteria and started tallying our scores.” Read more
In my office – the front room of my Petersham art deco apartment – stands to attention the fading gilt spines of my collection of Little Golden Books. Read more
It’s a cold July night and the streets are reflecting light in puddles. The foyer of PACT is warmed by heaters. I know this space well. It’s not known for its comfortable content or seats – but there is something different happening at PACT these days… something that invites you in and asks you gently to do the unthinkable –
to think. Read more
Context first.
Things happen quickly in the age of the internet. Read more
The cavenous black space of the Carriageworks is illuminated with shards of light that slice through the space illuminating scattered places- a ramp, a patch of grass, a staircase, a kitchen, a bar. Music plays, a whimsical riff leaning towards jazz – melodic and gentle. Read more
I’m going to come out in the open and admit something. I love doing my tax. Read more
I have been flicking through my diary – backwards as well as forwards – as Oscar Wilde once said “I never travel without my diary. One should always have something sensational to read in the train.” Read more
As someone dedicated to new Australian writing AND independent theatre it is extremely remiss of me not to have previously attended a production by subtlenuance (Paul Gilchrist and Daniela Giorgi). Read more