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In eight days time, Sidetrack Theatre will be hosting the first week of Stories from the 428. In under 3 months, two groups (a cluster perhaps?) of 8 writers will have created two full length works – which have been auditioned for by 150 actors, rehearsed by 8 directors and finally staged at Sidetrack Theatre, in the Addison road centre…

Largely this has been a playground for theatre practitioners: writers- given permission to write hatever they want (to a maximum of 12 minutes) and know that whatever they offer, will be staged. Directors- given actors, time, space and scripts with which to work. Actors- given a chance at being a part of an exclusive Australian premiere. Designers- given the chance and the challenge to create for 32 vignettes…

Over the past 6 weeks, I have been asked “where did the idea for this project come from?” and “what’s it about”… to which I take a deep breath and reply- community. Read more

Malcolm Gladwell’s book Outliers examines the reasons or causes behind people who are high acheivers- the thesis goes onto explain that for any person to be a leader in their field, they need to accrue 10,000 hours of practice in their given field. Gladwell sites the practise of The Beatles (who played 8 hours straight in Hamburg 5 days a week) and Bill Gates (who used to sneak into his local university at 2am to work on Computers as a teenage boy) … its a fascinating idea- and a hypothesis that rings true in the realm of the theatre. Read more

It was said to Arthur Miller that the inclusion of “Death” in the title of his play “Death of a Salesman” would damage audience attendence as no one would want to see a play that so clearly telegraphed the end of the play… and that it would be somewhat depressing… However, since it’s first production, Miller’s play has gone onto be performed constantly somewhere in the world at any given point in time- highlighting the fact that sometimes theatre managers/script editors should perhaps hold their tongues… Read more

I’ve known Van Badham for a few years- first encountering her name in a newspaper article in 2006 about Australian Plays and then commissioning her in 2008 for the inaugural Brand Spanking New at New Theatre where she delivered a horrifyingly beautiful crass masterpiece directed by current VCA directing student Mark Pritchard. She has launched and promoted more artists from Wollongong than is possible to mention and she is a playwright with unparalleled distinction and energy… and one who’s movements in the world and in theatre I lovingly track through the medium of Facebook. Read more

Stories from the 428 launched last night- with the help from our friends at the Coopers Hotel in Newtown, Marrickville Council, ACTT and Queen Street Studio- writers, directors, designers, crew came together to have a few drinks, to meet the people who they will be working with in the next 3-4 weeks. This launch was for the participants… United by a love of theatre, new Australian Playwriting and buses- nearly 100 local artists are starting rehearsals this week.

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My posts have been infrequent since February began- mainly because I have been busy with all things around my current production- Stories from the 428- and barely have I had time for seeing shows- let alone reflecting on line about them. In my busy schedule, which often involves seeing up to 5 theatre productions a week- and when in production as I am right now- I spend days on end computer in lap, coffee in hand, managing spreadsheets, budgets, creative imput, publicity, dramaturgy, casting the shows I am directing, reading scripts and all things related to the creation of a brand new show (or in this case a collection of shows)… rarely do I give myself permission to stop. To rest. To be filled up and nourished. And that is why, in truth, I have a Sydney Symphony subscription. This subscription is vital in my mental, spiritual growth, my understanding of the arts, my development as an artist- but above all else permission to turn off my phone, get away from my computer and surrender to the perfection of someone else’s craft- music.Tonight’s welcome surrender came in the guise of the masculine swaggering, sutlry voiced Nigel Kennedy with his virtuousic talent as the worlds most loved and respected violinist. Read more

After the success of the inaugural Off The Shelf in 2009, Queen Street Studio presents the third Off the Shelf a residency for writers and directors interested in creating original and compelling text based productions for the inaugural Sydney Fringe Festival.
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For many who are sweating it out in Adelaide- a fringe adventure is one where the idea must be strong and interesting enough to warrant the logistical and financial wrangling of performers, accomodation, fliers, venue, audiences, travel expenses. Fringe artists, like nomads, travel to Melbourne or Adelaide for such adventures… but now, (at last!) Sydney’s artists get to air their ideas in their home town and dream big in the everyday landscape of their lives and SUCK IT AND SEE.

The Sydney Fringe is imminent and its time to put digits to keyboard and apply! Read more

Shopfront’s Residency program is open for applications from those artists interested in developing a project in 2010. I am a board member at Shopfront as I believe in its interest in and commitment to developing the arts practice of artists who are under 25. In the last week I have had the great priviledge to have met several applicants who have submitted early applications for the residency program for this year. Last year I attended the Artslab Residency Showing which was simply fantastic. It included a piece by Tim Spencer called “The words they make with their mouths” which is on right now at the Adelaide Fringe. (check it out if you can!)

Shopfront is a fantastic place for emerging artists to make connections with fellow artists and to explore ideas, practice styles under the mentorship of independent theatre director and Shopfront Theatre’s Artistic Associate Michael Piggott. Applications close on March 26 2010. Read more