Archive for the ‘Reviews & Responses’ Category

Bare Boards Brave Heart | Subtlenuance

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As someone dedicated to new Australian writing AND independent theatre it is extremely remiss of me not to have previously attended a production by subtlenuance (Paul Gilchrist and Daniela Giorgi). Read more

Piranha Heights | Shedding Skin in & New Theatre’s The Spare Room

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A grubby, dank apartment hovers over a black abyss. Read more

The Coming World | Two Birds One Stone & Darlinghurst Theatre

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A long tangled web of video tape pours down onto the stage – glinting in the half-light like seaweed in a forgotten cave. Read more

The Bonfire | The Deconverters

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A summer night. Friends in t-shirts and hoodies roam the empty streets of Bermagui – drinking, climbing things – cars, fences, railings, garden beds. Loud music. A car with a dirty windscreen. The windows down. Hot chips. A bonfire at the beach. Rugged bushland surrounds the beach. A campsite. A girl you might kiss. A friend you might owe money to, you might fight with… Read more

Terminus | Abbey Theatre & Sydney Theatre Company

Terminus by Mark O'Rowe,

It was one of those grey washed winter Sydney days when I made my way to see Terminus – I had heard the buzz around town and had flirted briefly with buying tickets. Read more

The Seagull | Belvoir

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Seagulls are, as any ornithologist knows, carnivorous scavengers. Pack birds. Birds that possess a unique mob-mentality and a very clear pecking order. Baby gulls bully their parents with powerful squawks. They will ready to elongate their necks and let forth an alarming noise when courting or challenging other gulls. As a teenager trapped, growing up in the pastoral “paradise” of a northern NSW coastal town, I would sit on the dunes and watch as the gulls scurry about, robbing teenage surfer boys (and their accompanying bikini babes) of their fat, hot chips swaddled in butchers paper. I’d watch the gulls squawk and flap, demanding chips. I’d watch the surfers squawk and flap at the seagulls. I’d overhear the myths (or were they?) of if you give a seagull an aspirin (hidden in a chip) they explode.

That was half my lifetime ago. Read more

The Tooth of Crime | ATYP Under the Wharf & Arts Radar

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On a red velvet throne sits a lazy and leather-clad rock god – with a fawning female at his feet. Read more

The Kiss | Belvoir

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Like the assassination of JFK, the collapse of the Twin Towers, it can be argued that one’s first kiss is equally a transforming experience. Read more

Cold | The Earthcrosser Company

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It’s a bright mid-May Saturday, when I coerce a playwright to head to NIDA to see a matinee performance of a new(ish) Swedish play. Read more

Baal | Sydney Theatre Company

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A forest of well dressed, well spoken women gather around a hunched hooded figure as sound throbs and squeals from an electric guitar. Read more

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Augusta Supple

Sydney-based theatre director, producer and writer. This site is about my long, deep, bright-eyed, ever-hopeful, sometimes difficult, always invigorating, rambunctious, rebellious, dynamic and very personal relationship with Australian Arts and Culture... I reflect on shows, talks, essays, writing, artists that inspire me to say something, and you'll find out what I'm working on, who I'm working with and what inspires me.